In this exclusive interview, Jean-Pierre Boiget, Head of Distribution Services at STUDIO CANAL, talks about the adoption of Dolby Vision HDR by the French studio across new releases and catalogue movies such as Apocalypse Now, A Bout de Souffle, and Terminator. He discusses the creative and operational advantages of HDR and Dolby Vision from remastering to archiving.

A discussion with STUDIOCANAL: remastering catalogue titles in Dolby Vision

A discussion with STUDIOCANAL: on black and white movies in Dolby Vision

A discussion with STUDIOCANAL: Dolby Vision master - workflow, deliverables and archiving

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